Just lately I’ve been asked questions along the lines of ‘what first attracted you to science fiction?’ I could always come out with sober answers about science and the future, Asimov, Arthur C Clarke yadayadayada. But the moment I fell … Continued
Before I left the rat-race to become a full-time author I used to work in IT, designing, building and testing web sites for large corporations. The basic techniques I used for them will work just as well for smaller sites. So, if you’re ready, let’s begin.
There’s a lot of websites in the world these days and we’ve all had our share of experiences in navigating our way around them. I’m no different to any other user – I go to websites looking for stuff and if I don’t find it – I don’t stay. What are the things most likely to turn me off?
Should you write a prologue? I don’t know – it’s your story. I can tell you what I think and if that helps, hey – I’m chuffed. But I’ll tell you two things up front – one, I don’t usually like prologues and two, I’ve written one myself.
My new science fiction book includes a certain amount of planet-hopping. There’ll be some sneering and lip-curling over this. But don’t be in too much of a hurry to point a derisive finger.
I’ve become a tad introspective about the Rules of Writing. You know the ones, my authorial friends; thou shalt not use adverbs, thou shalt minimize adjectives, thou shalt not reveal Back Story in the first chapter, thou shalt mesmerize your audience from the first word.
If your hero is up against a villain, better make sure that villain’s powerful. Sure, you need conflict to make a story. Or should I say, an interesting story. But the writer of a post iI just read used Voldemort and Sauron as her two examples of good villains.
My brother Fred and I were very close as we grew up in Perth. One abiding consideration was that our older siblings were much older than us so we were thrust together. We were roughly three years apart in age, but that translated to two years at school.
Characterisation is at the heart of any really good story as far as I’m concerned. Real people dealing with real situations. Or sometimes (as in speculative fiction) not-real situations. That’s when creating believable characters becomes absolutely crucial. If your characters aren’t believable, your reader won’t relate to them.
I’m busy at the moment doing some massive rewrites of early work and I’ve also spent some time doing some beta-reading. And backstory is the thing that sticks out.