Those who know me would realise that I raise an eyebrow at the mere mention of the Rules of Writing. You know the ones; thou shalt not use passive voice, thou shalt avoid ‘that’, ‘as’, ‘just’ and ‘there was’, thou shalt not use adjectives and yay, verily, thou shalt not use adverbs. I’ve said it before, I’ll say it again. They are sensible guidelines to consider, NOT “rules” Somebody was supposed to have said, “There are three rules to writing. Unfortunately nobody knows what they are.”
BUT… the title says it all, doesn’t it? There is one rule you break at your peril, and that is
Do Your Research
I was involved in an interesting discussion with writers of science fiction, based on a blog post about whether the ‘science’ was important in science fiction. Specifically, the author discussed a scenario in a novel where a spaceship in deep space begins to slow down when the engines fail. There was some to-ing and fro-ing over how important it was that this would not happen. Without any drag in the almost complete vacuum of space, inertia would keep the ship travelling at a constant speed unless something else intervened. It transpired that the writer of the novel had based her ‘research’ on a few science fiction movies. This is not a great move when you consider films like Star Wars, where basic physics is either misunderstood (this ship did the Kessel run in less than 12 parsecs) or ignored. Think fighters zooming around in space as they would in atmosphere, and making a quick trip to Bespin without a hyperdrive, just to mention a couple.
People who read science fiction tend to be interested in science. Authors should at least do their readers the courtesy of trying to get it right. I grew up on Asimov and Clarke, who made sure their science was plausible, and basic facts of physics were either adhered to, or if not then explained. Jack McDevitt does the same. Somebody is going to say, but what about faster than light travel (FTL)? That’s impossible. Sure. But that’s a recognised trope in SF, commonly used in space opera to move the story forward. And as I explained here, planet hopping might not be as silly as it sounds.
A similar thing can be said of historical fiction, which I have also written. Before I wrote about a lad beheaded with a sword – just for fun – I found out how this could be done and what would happen. If you’re interested, here’s the answer – murder by decapitation. When I needed to write a scene where muskets were used, I researched muskets. Here’s the post about that. Writers of crime novels face the same situation. You’re going to kill somebody. Is the mode of death feasible? How long does it take? What evidence is left behind etc etc.
I suppose not everybody will agree with me. After all, the story is the thing, is it not? And since I’m a Star Wars fan, I can hardly disagree. But I still think Lucas et al could have done their homework and come up with something more accurate and still just as exciting. Even a few nose thrusters in the fighters would have helped. And maybe the hyperdrive could have been damaged, in need of repair, but still barely operational. Sure, there’s a little more room in speculative fiction for invention. After all, it is ‘fiction’. But I think there’s a limit. Even when I wrote Black Tiger, which is about a were-tiger, I took care to find out about real tigers, the legend of were-tigers in India, and the role of tigers in Hindu theology.
So what do you think? Am I being self-righteous? Do you expect to find real science in science fiction? Real history in historical novels? Or doesn’t it matter to you?